http://lenses.zeiss.com/photo/en_DE/pro ... usage.htmlWith a close focus of 0.25m (10”) – combined with a wide angle view, photographers can work in tight spaces, while also allowing focus on close-up details. Distortion is extremely well controlled, producing naturally proportioned photographs which are not typical of many other super wide angle lenses. Even at full aperture it achieves outstanding detail rendition and opens up room for extremely imaginative design.
The Distagon T* 2,8/15 incorporates two aspheric lenses and special types of glass material with abnormal partial dispersion to provide an extraordinary correction of chromatic aberration. A floating elements design guarantees high image quality from close-focus through infinity. Like the other SLR lenses in the ZE and ZF.2 series, stray light and reflections are well controlled by the Carl Zeiss T* anti-reflective coating and the sophisticated treatment of the lens element edges with special light absorbing paint.
Er zijn nog niet veel tests van. Ken Rockwell heeft er wel naar gekeken:
http://www.kenrockwell.com/zeiss/slr/15mm-f28.htm
Bij The Digital Picture lijkt de Zeiss een stuk beter uit de bus te komen dan de Nikon 14-24:Canon users have no really sharp ultrawides available from Canon, so if you're serious about your image quality and need an ultrawide lens, this is your lens.
This Zeiss 15mm lens is so good that you can get great results on the 5D and 5D Mark II, saving you from having to shell out for the automatic lateral color fringe correcting 5D Mark III, since this Zeiss lens is devoid of the color fringes that plague Canon's ultrawides.
http://www.the-digital-picture.com/Revi ... &APIComp=0
MTF charts:
http://diglloyd.com/blog/2012/20120316_ ... tagon.html
Lenstip heeft sample shots van de 15mm op de nieuwe 5D III:
http://www.lenstip.com/1982-news-Canon_ ... shots.html
Het kost wat, maar dan heb je ook wat!
